ϋό”¨ ŽΡˆΛ ŒΒ“W
‚ ‚«’n

TAKAHATA Sae solo exhibition
vacant land


2020”N11ŒŽ10“ϊi‰Ξj‚©‚η15“ϊi“ϊj
12:00‚©‚η18:00


KUNST ARZT ‚ł́A3”N‚Τ‚θ2“x–Ϊ‚Ζ‚Θ‚ι
ϋό”¨ŽΡˆΛ‚ΜŒΒ“W‚πŠJΓ‚΅‚ά‚·B
ϋό”¨ŽΡˆΛ‚́AŒiF‚Μ’f•Π‚π‹σŠΤ‚Ι‚€‚Β‚΅o‚·ƒA[ƒeƒBƒXƒg‚Ε‚·B
Ε¬Œΐ‚Ι’ρŽ¦‚³‚κ‚½uόv‚πŽθ‚ͺ‚©‚θ‚ɁA
ŠeX‚Μ‹L‰―‚Μ‚Θ‚©‚Ι‚ ‚ιŠX•ΐ‚έ‚πd‚ˍ‡‚ν‚Ή‚ι
μ‹Ζ‚π’Κ‚΅‚āAƒA[ƒeƒBƒXƒg‚ΜŒ©‚½ŒiFAŽ‹“_‚ͺ—§‚ΏŒ»‚κ‚ά‚·B
–{“W‚ł́A‹ί”NAμ‰Ζ‚Μ‹’“_Žό•Σ‚ōs‚ν‚κ‚½“sŽsŠJ”­‚Μ‚½‚ί‚Μ
gƒXƒNƒ‰ƒbƒv•ƒrƒ‹ƒhh‚Ι‚ζ‚Α‚āA—l•Ο‚ν‚θ‚΅‚Δ‚’‚­ŒiF‚π
ƒ‚ƒ`[ƒt‚Ι‚΅‚Δ‚’‚ά‚·B
‚²’–Ϊ‚­‚Ύ‚³‚’BiKUNST ARZT ‰ͺ–{Œυ”Žj


PRESS RELEASE

ˆΘγAŒΒ“Wu‚ ‚«’nvi2020j“WŽ¦•—Œi
by office mura photo

‹ž“sV•·@2020”N11ŒŽ14“ϊ@•½“c„Žu‚³‚ρu‚ ‚«’nv“W•]

‹σ‚«’n‚Μƒhƒ[ƒCƒ“ƒO

2020
‰”•MAƒgƒŒ[ƒVƒ“ƒOƒy[ƒp[

Linescape #2

2019
ƒJƒbƒeƒBƒ“ƒOƒV[ƒgA‰f‘œ
A-Lab Artist Gate 2019/•ΊŒΙ

ŒΒ“Wu‚ά‚Ξ‚½‚«‚̐”‚Ύ‚―v(2017)“WŽ¦•—Œi‚ζ‚θ

pieces (street)

2016
oppƒtƒBƒ‹ƒ€AƒAƒNƒŠƒ‹ŠG‚Μ‹οAƒ}[ƒJ[
Opp film, marker, acrylic paint, marker
ƒTƒCƒY‰Β•ΟAVariable size
ƒMƒƒƒ‰ƒŠ[ƒtƒ[ƒ‹ Gallery Fleur
Œo—π
1993”N‘εγ•{Ά‚ά‚κ
2019”N‹ž“sΈ‰Ψ‘εŠw‘εŠw‰@”ŽŽm‘OŠϊ‰Ϋ’φ
Œ|pŒ€‹†‰ΘŒ|pκU”Ε‰ζ—ΜˆζC—Ή

ŒΒ“W
2017 ‚ά‚Ξ‚½‚«‚̐”‚Ύ‚― (KUNST ARZT/‹ž“s)
2016 ŽR‚Ρ‚±‚ΖƒOƒ[ƒu (kara-S/‹ž“s)

ƒOƒ‹[ƒv“W
2020uKyoto Art Tommorow2020 ‹ž“s•{V‰s‘I”²“Wv
i‹ž“s•Ά‰»”Ž•¨ŠΩj
2019uA-Lab Artist Gate 2019v
(‚ ‚ά‚η‚ΤƒA[ƒgƒ‰ƒ{ A-Lab/•ΊŒΙ)
2018u‚ ‚―‚­‚Ώ‚Ι’·ŒCv(‹ž“sΈ‰Ψ‘εŠw‘Ξ•τŠΩ 101‹³ŽΊ)
2018u‘ζ8‰ρV‰sμ‰Ζ“W“ρŽŸRΈv
(μŒϋŽs—§ƒMƒƒƒ‰ƒŠ[ ƒAƒgƒŠƒA/ι‹Κ)
2018uƒjƒ…[ƒ~ƒ…[ƒe[ƒVƒ‡ƒ“ •ΟEiE[‰»v
(‹ž“sŒ|pƒZƒ“ƒ^[)
2016u˜A½‚Ζ‚ά‚½‚½‚«v(ƒMƒƒƒ‰ƒŠ[ƒtƒ[ƒ‹)

Žσά—π
2019 ‹ž“sΈ‰Ψ‘εŠw“W 2019 —Ž–’·ά Žσά
2018 ‘ζ8‰ρV‰sμ‰Ζ“W “ό‘I

’­‚ί‚Μ‚Ω‚±‚λ‚Ρ/ The view coming loose

2017
oppƒtƒBƒ‹ƒ€Aƒ}[ƒJ[, Opp film, marker
ƒTƒCƒY‰Β•ΟAVariable size
‹ž“sŽs”όpŠΩ•ΚŠΩ Kyoto city Museum of Art annex